Geopolitics

Tech Censorship is the New Operation Mockingbird

On the Fourth Hour of Alex Jones Jay Dyer details the history of Operation Mockingbird and how it relates to the tech information control happening today. 

In the late 40s US intelligence decided it needed more control over the news media in order to combat Communist propaganda. As with most of what the Power Elite do, the different ideologies don’t matter as long as the mechanisms are firmly set in place, which solidify their power and control. This project to control media has only become stronger over time, and has evolved over time to an Orwellian censorship regime spanning across the tech information sphere, deplatforming, fact checking, and demonizing content and creators that aren’t bending the knee.

Link: https://www.banned.video/watch?id=64cd8ac671072a35481d5da1

Audio: https://www.podbean.com/ew/dir-dkpdk-1a42ae03

Transcript

Why are they helping out communists in other countries while they’re also supposedly fighting them? Well, these suspicions eventually led to hearings. And the reason that McCarthy and other people couldn’t figure this out, the people from the John Birch Society, was that they figured out, hey, wait, this actually goes up above and beyond Moscow. This actually seems to point to very wealthy, powerful people in the military to point to very wealthy, powerful people in the military industrial complex. Very wealthy, powerful people in the West, families, banking dynasties, industrialists, robber barons. They seem to be really pushing and supporting communism and socialism. And in other words, Fabian socialism, and that didn’t go away because guess what, some of the people involved in crafting the Steele dossier, the Peagate nonsense, well, they just happened to be Fabian socialists and members of the Fabian socialist elite of the UK, exactly.

But to get back to Henry Luce, we need to talk about him because Luce has these connections, not just to Skull and Bones and the CIA, but we’re gonna find out that there’s Hollywood connections, interesting. Even at this time, for example, they were engaging in sexual psyops. Claire Booth Luce, for example, the wife of Henry Luce was known to be a honey trap, a sexual spy, and she made her way around to compromise people. This is the show, don’t go anywhere. We’re doing Operation Mockingbird when we come back.

Welcome back to the fourth hour of the show. I’m your guest host Jay Dyer of Jay’s Analysis. You can follow me also on all the social media outlets under my name, Jay Dyer. Today I’m gonna be talking about something that was brought up early on in today’s show, and that’s Operation Mockingbird. I just did a really long deep dive on Mockingbird on my channel. That’ll be a two-part series. You can get into that by subscribing to me on my website or at Rockfin. But I want to distill that, kind of break it down into the essence of what this is all about for you guys.

And I think Mockingbird matters because if you want to understand the architecture of how they implemented and ran the Twitter file censorship, the big tech collusion, and all of that. We really have to go back and look at Mockingbird, which is the predecessor to all of this. And this was really the CIA’s Cold War management scheme for controlling media. Now it kind of ballooned into a worldwide control mechanism that is still in place. In fact, there was a journalist who went on RT some years ago, his name is Uwe, U-W-E from Germany, talking about how the CIA was still controlling German media up into the time of the Iraq War. And all the way up into the propaganda that they want to put out for I think the Assad regime, and all the way up into the propaganda that they want to put out for I think the Assad regime and all that.

So in 1948, we go back to the cold right before the real heat of the Cold War, so to speak, before it’s really ramping up. Right when it kicks off, you had a guy named Frank Wisner, who was appointed the director of the Office of Special Projects. That eventually became the Office of Policy Coordination, which as we’ve discussed in many of my lectures, was really the CIA’s early black ops section. It had this really innocuous name of Office of Policy Coordination, but that was because it was actually engaged in espionage, counterintelligence, propaganda, economic warfare, preventative direct action, demolition, evacuation, subversion, etc. The justification for all this was, of course, the Cold War. We have to fight against anything that the Soviets are going to do.

Later on in that time frame, the Wisner established what he called Operation Mockingbird. And it was stated to originally be a program that would influence all domestic American media. His first recruit was Philip Graham, husband of Catherine Graham of the Washington Post. This project was essentially then expanded out to multiple other media outlets. They recruited at that time people who had formerly been in military service, and This project was essentially then expanded out to multiple other media outlets. They recruited at that time people who had formerly been in military intelligence and then went into the news and media section of the economy. This included people like James Truitt, Russell Wiggins, Phil Galen, John Hayes, Alan Barth, Stuart Alsop, Joseph Alsop, James Reston. All of these were originally recruited out of the Jesuit University of Georgetown. They’re known as the Georgetown set.

According to Deborah Davis in her book, Catherine the Great about Catherine Graham, by the 1950s, Frank Wisner of the CIA owned the special respected members of the New York Times, Newsweek, CBS, and all of the other major communications vehicles. So by the 1950s, this was firmly in place domestically to control American media to put out what the establishment wanted. And everybody bought into this, not because they were bad people or because they were nefarious, but again, because of the exaggerated threat of the Soviets.

And we now know, going back to the Kenan doctrine, and going back to containment, and going back to what they wanted at the time of the Soviets. And we now know, going back to the Kenan doctrine, and going back to containment, and going back to what they wanted at the time of the Cold War, people like C.D. Jackson, was to exaggerate the Soviet threat. Doesn’t mean that there weren’t Soviet spies, doesn’t mean there weren’t NKVD, doesn’t mean there weren’t people like Aldrich Hiss, or Julius and Ethel Rosenberg. But those stories were exaggerated and trumped up to implement the control mechanism and you’ll see this pattern all the time. Whereas this pattern recently been repeated, Russia buying bots and supposedly stealing the election, Russia hacking the DNC. All these lies that justified the implementation of the control mechanisms of social media that are still in place. They’re still in place, they’re still there on the basis of the supposed Russia bought farms and collusion. Exact same model and structure of going back to the Cold War, Mockingbird.

I’m not saying the Soviets are good guys. I’m not saying the Soviets are good guys. I’m not saying that everybody in America is a bad guys. I’m just pointing out the reality of the power politics that the control structure and the mechanism, the architecture that control is the exact same system. It’s just been updated to Mockingbird 2.0 rather than Mockingbird 1.0 with all of these legacy media outlets.

One of the most important journalists recruited under this was Alsup. And Alsup then went to recruit and help with other journalists being recruited. This included the New York Tribune, New York Times, Newsweek, Time Magazine, through Henry Luce and C.D. Jackson, The Daily Mirror, Walter Lippmann, so people out of Tavistock Institute, Hal Hendricks, Miami News, Chicago Daily News, and Hal Hendricks matters because he’s one of the key figures in the JFK event. So it’s actually Hal Hendricks that supplies the information that Lee Harvey Oswald is the patsy or is the person behind it. He leaked that information before anyone else knew about Lee Harvey Oswald or even the FBI knew about Lee Harvey Oswald. So in other words, that was a story planted on purpose by Hal Hendricks from Miami News. That’s now all admitted.

And this also involved the buying of the Zapruder film by Henry Loos, who paid, I think, $100,000 for the film at that time. William C. Bragg, Herb Gold, Miami News, Chattanooga Times, basically all the major news outlets for the most part, were gradually being recruited into having editors and journalists who were either bought off or actual assets of the CIA. And the way they would do this was either buy them off or provide them with classified info to give them a hot leak or a hot story. At the 1950s, this network was then overseen by Alan Dulles, the new director of the CIA. By this time, Mockingbird had now influenced over 25 major newspapers, including William Paley, former OSS of the CIA. By this time, Mockingbird had now influenced over 25 major newspapers, including William Paley, former OSS of CBS, and now with CBS, Henry Luce of Time Magazine, and a host of other new recruits.

The Office of Policy Coordination was funded by siphoning off funds from the Marshall Plan. So this is again what kicks off the Cold War when Stalin rejects the Marshall Plan. So this is again, what kicks off the Cold War when Stalin rejects the Marshall Plan. That’s exactly what causes the Cold War to kick into high gear. In fact, in 1954, Wisner arranged for the funding of a Hollywood project, Animal Farm, based on George Orwell’s novel. 3,000 salaried contract CIA employees were eventually engaged in this giant propaganda effort. In fact, at this time, the CIA began to plot to overthrow governments in Iran and Guatemala. And Henry Luce played a key role in this because as the skull and bones controller of Time Magazine, Luce’s politics hardened in the post-war years by becoming increasingly Cold War obsessed. And that’s because they wanted this Cold War to be ramped up.

And it’s fraudulent because the same people engaging in this would later be suspected of themselves being communists. I’m talking about people from the CIA like Cord Meyer, people engaged in a lot of the Cold Warists. I’m talking about people from the CIA like Cord Meyer, people engaged in a lot of the Cold War activities. They were investigated and suspect by the FBI and the McCarthy hearings, questioned by the McCarthyites because they seem to be supporting so many communist socialist leftist ideas. And yet they’re supposed to be the CIA. I thought they were fighting the Cold War. Why are they training Mao’s guerrillas? Why are they funding communist regimes? Why are they helping out communists in other countries while they’re also supposedly fighting them?

Well, these suspicions eventually led to hearings. And the reason that McCarthy and other people couldn’t figure this out, the people from the John Birch Society was that they figured out, hey, wait, this actually goes up above and beyond Moscow. This actually seems to point to very wealthy, powerful people in the military industrial complex. Very wealthy, powerful people in the West, families, banking dynasties, industrialists, robber barons, they seem to be really pushing and supporting communism and socialism. And in other words, Fabian socialism. And that didn’t go away because guess what? Some of the people involved in crafting the Steele dossier, the Peagate nonsense, well, they just happen to be Fabian socialists and members of the Fabian socialist elite of the UK. Exactly.

But to get back to Henry Luce, we need to talk about him because Luce has these connections not just to Skull and Bones and the CIA, but we’re going to find out that there’s Hollywood connections, interesting. Even at this time, for example, they were engaging in sexual psyops. Claire Booth Luce, for example, the wife of Henry Luce was known to be a honey trap, a sexual spy, and she made her way around to compromise people. This is the, don’t go anywhere, Henry Luce was known to be a honey trap, a sexual spy, and she made her way around to compromise people. This is the, so don’t go anywhere. We’re doing Operation Mockingbird when we come back.

Welcome back to the Alex Jones Show. We’re covering the history of Operation Mockingbird so that you have a good idea of the way that media control has been exercised in the past, and then we’ll come to understand this architecture of the present day media control, which is just passed over into Mockingbird 2.0 via Twitter files, via tech collusion, via mass deleting and banning of people like my website was deleted in 2018, the exact same time as it was deplatformed across all social media. So I was kind of lumped in with you guys there because we’re all trying to discuss the truth, get to the bottom of all of the issues. And even if we get one or two things wrong, we’re about 90 to 95% accurate on everything else. So that’s why the system is so scared. That’s why they have to resort to typical tyrannical, heavy handed tactics like banning, deplatforming and so forth. And everybody knows this, but remember that for many years they said, no, that doesn’t exist. There’s no deplatforming, we don’t do that. And now it’s come out, oh, that was all lies, exactly. We’re going back to the Cold War period in the 1950s, Claire Booth Luce, the sex operative spy wife of Henry Luce of Time Magazine, she was actually engaged in going around and compromising and in fact, even had a role in, to a degree, what amounts to Gladio operations in Italy because she did a lot of colluding there with the Gladio operatives there, according to the book.

That was basically a mini book that I’m reading, Operation Mockingbird by John Simpkin, which you can go read over at Spartacus Educational. It’s a really good, lengthy treatment with a lot of footnotes and references to the history of Mockingbird. Another book that came out called Spiritual Industrial Complex by Jonathan Herzog also deals with the co-opting of a lot of these religious and Hollywood forces via Mockingbird, including figures like Cardinal Spellman, who comes up in the David Wimhoff book quite a bit as somebody who was potentially compromised. And as we read through the text, he talks about how they realized that it would be much more successful if they were able to compromise and recruit people from Hollywood, because Hollywood would play a key role beyond just what we get in Time magazine, right? Because they realized that fictional stories are much more effective.

This ties into the two books that I wrote on Hollywood and symbolism, Esoteric Hollywood 1 and 2, which you can get signed copies at my website in the shop. Because I talked about this many, many years ago as well, that Hollywood’s really a giant engine of propaganda. And that has a lot of facets to it, including things like predictive programming, including things like basic level propaganda, war propaganda, and so forth. And once we understand that, we can really understand how destructive and powerful that entity is. Even though nowadays it’s kind of losing ground to the Internet, Hollywood has still been effective in basically demoralizing and deconstructing the United States of America. And so, I think that’s a really important point. losing ground to the Internet. Hollywood has still been effective in basically demoralizing and deconstructing the United States of America.

But I think it’s a mistake to think that this is all the work of Soviets and communists. You have to understand that people like Henry Luce who believed that quote, a morally slanted press was a responsible press because that meant they could be controlled, that meant they could be steered. In fact, it was the success of communism in the Cold War period in other countries that made the American power elite worried that if there wasn’t something to replace the loss of spiritual foundation in the West, that people might fall to communism. And so the new push became Americanism and democracy as a new foundation. the loss of spiritual foundation in the West that people might fall to communism. And so the new push became Americanism and democracy as a new form of almost quasi-religious commitment.

This is why we see Hollywood, for example, beginning to push Americanism in this Cold War period through a lot of films, as well as the churches beginning to push Americanism because they’re now becoming tools of soft power. Again, it doesn’t mean that I am saying that Soviets are good because the church is being as well as the churches beginning to push Americanism because they’re now becoming tools of soft power. Again, it doesn’t mean that I am saying that Soviets are good because the church is being utilized by the American government to push Americanism. It just means that now the church is taking on a new master. This new master will be a choice between kind of a Marxist socialist idea of liberal social gospel and liberation theology, or will it choose Americanism and the principles of America? Of course, neither of those is actually what Christian theology is, but the state and power players typically have a vested interest in turning the church into an adjunct of its own power, to make the church into a tentacle of the octopus of power. And that goes all the way back to the medieval world as well, into an adjunct of its own power, to make the church into a tentacle of the octopus of power. And that goes all the way back to the medieval world as well, when you have, for example, Byzantine emperors in the Byzantine empire who wanted to make the church into their own version of Christianity. Maybe they believed in this or that view, and so they want to turn the church into basically something that they control.

The same thing happened in the medieval Renaissance papacy, where the papacy becomes a tool of certain powerful families like Borgias and Medici and so forth. So by the 1950s, as we said, we get a new head eventually of these offices of OPC that merge with other directorates of planning to become the new office of the DPP. At this time, this is important because Hoover was getting to be a little jealous of the growing power that the CIA now had. And Hoover famously described the OPC as Wisner’s gang of weirdos. He began carrying out investigations into members of the OPC and their past. And this is when we get a lot of suspicions of activities of OPC members in left wing politics all the way back to the 1930s.

The information then from Hoover was passed on to other members of the OPC to other members of the OPC and other members of the intelligence apparatus, FBI. And eventually this comes back to McCarthy. In fact, Hoover gave McCarthy details that Frank Wisner had had an affair with the princess of Romania. Her name was Princess Caragia. And Hoover hoped that this would sort of tarnish and mess up the OPC because if it could be shown that Wisner was colluding with a suspected Soviet, this princess, then this would undo the OPC. So you had these kind of internal power dynamics between the FBI and the CIA slash OPC here.

McCarthy then began accusing other members of the CIA of beingPC here. McCarthy then began accusing other members of the CIA of being very high level security risks. So this is where we’re starting to get McCarthyism, you see it ties into this stuff to Wisner and the OPC. McCarthy even said at this time that the CIA was a sinkhole of communists. He claimed that he would root out 100 of them. One of those first Targets was the famous CIA operative Cord Meyer. Meyer was still working for Mockingbird.

In 1953, Richard Helms, who was Wisner’s deputy at the OPC, told Meyer that McCarthy was after him. The FBI then added to the smear by announcing that it was unwilling to give Cord Meyer any security clearance.

So now if you saw Oppenheimer, right, this is what you saw in that movie, right? Because Oppenheimer was part of the same time period of being suspect of, he’s involved in labor union and Marxist causes, maybe he’s a Marxist. But the real issue here is that, that’s just one level of this, that people were not really figuring out.

John Birch Society and Joseph McCarthy were gradually kind of sniffing around the edges of the fact that the real threat here was not a foreign power, but was actually the wealthiest people in the West. And they started to actually figure that out, and that’s why they got shut down. So there’s a level of truth to which, yeah, some of these people in the CIA were not communists or in the radical Marxists in the sense of being Soviets. They were Fabian socialists, and that’s what they couldn’t figure out, because the people running British intelligence, many of them were Fabian socialists. That’s Marxism socialism allied to big money capital. And that’s why it was confusing so many people.

This is the don’t go anywhere. I’m your guest host Jay Dyer of Jason analysis. And you can follow me there. I’m your guest host Jay Dyer, Jason analysis. Want to remind you guys that if you’re looking for some good entertaining debates, I’ve got a big debate coming up tomorrow night with one of the top Muslims. Daniel Hikikachu and I will be doing a debate tomorrow night. If you go to my social media, you’ll see it. I’ll be posting the link everywhere. So follow me on Twitter or on YouTube or wherever. You’ll find that debate, I think, tomorrow night in the evening, 7 or so, somewhere in there. And other debates coming up too in the near future with the multiple Islamic opponents. Jake the Muslim, so-called metaphysician, will be doing a debate, I think, in the near future as well. So look for those debates coming up in regard to, that’ll be, I think, my fifth or sixth Islamic debate that I’ve done.

And I want to get back to this issue, though, of McCarthy, because things are now heating up in this Cold War period, the 1950s. And when Cord Meyer is not given security clearance, much like in Oppenheimer, when you see that he’s denied his security clearance, the FBI then refuses to explain why. Allen Dulles then counters with this, coming to the defense, and refuses the FBI the ability to interrogate Gordon Meyer. McCarthy then realized that he was taking, excuse me, didn’t realize what he was taking on.

Wisner then unleashed his mighty Wurlitzer of the press, and the entire press came after to destroy McCarthy. Drew Pearson, Joe Alsop, Jack Anderson, Walter Lippmann of the Tabasak Institute, and Edward R. Murrow all went after McCarthy. So you understand the real background to this is it’s a little more complicated and nuanced. It’s not just right- wingers versus commies. It’s more complex than that. The press all went into a full attack mode and permanently damaged, basically destroyed McCarthy and the coverage regarding Wisner.

Now remember, McCarthy is concerned that there’s Soviets and communists in the government. But at this time, everybody thinks that it’s Stalin and communists in the government. But at this time, everybody thinks that it’s Stalin and the NKVD running all of this. And there’s a level to which, yes, there were NKVD operatives. But what’s happening is that McCarthy is starting to realize, hey, wait a minute, there’s actually a lot of CIA people connected to the CFR. Because as you guys remember, many of the early CIA directors and heads, there’s actually a lot of CIA people connected to the CFR. Because as you guys remember, many of the early CIA directors and heads, there’s a whole string of them, 12 or 15 of them are all from the CFR. McCarthy’s beginning to realize that, hey, a lot of these Council on Foreign Relations people, they seem to be kind of on the same page with socialism. But they’re not Soviets, but even some of them want to align with and reconcile and have a new global government where capitalism merges with Sovietism, the third way. And so they’re starting to figure out, hey, wait a minute, some of these people that are very wealthy, that are even involved in the Cold War, they might be anti- Soviet, but they’re not actually anti-Marxist or anti-socialist. You see the difference there? This is why the Obama administration they might be anti-Soviet, but they’re not actually anti-Marxist or anti-Socialist. You see the difference there? This is why the OSS and CIA bring all of the Frankfurt School Marxists over to the US to be engaged in cultural warfare or cultural Marxism.

Mockingbird then went into active attack to engage in overthrows of foreign governments, including Arbenz, Guatemala. Henry Luce was able to censor stories, for example, that would ever appear sympathetic towards anything against this establishment’s cause. Alan Dulles was even able to keep journalists that were critical of these events from traveling anywhere near Guatemala. Now again, that doesn’t mean that the communists or the socialists are good guys, it just means that this control mechanism is in place. And it’s now beginning to extend to foreign governments and foreign news stories. Frank Wisner then steps into the realm of Hollywood. And according to Hugh Wilford in his book Mighty Warlitzer, how the CIA played America, the CIA then began to take on the notion of cultural Cold War. This is the work of Frances Stoner Saunders and her book, The CIA and the Cultural Cold War. Now they want to recruit patriotic anti-communist movie studios. And again, please think beyond the dialectic here. It’s playing on people’s patriotism to get them to support not a real anti-communism, but a Fabian socialist merged model, you see.

This is why the world government that we’re going into now is not run by actual outright Marxists or Soviets. It’s run by actual outright Marxists or Soviets. It’s run by Fabians who align with big capital. Why Klaus has a bust of Lenin. This is why David Rockefeller wrote about how he liked Mao Zedong.

Wisner was helped by the fact that the House Un-American Activities Committee, chaired by Parnell Thomas, was carrying out investigations into the Hollywood Ten. The Hollywood HUAC, they interviewed 41 people from Hollywood, including everybody knows about the Hollywood Ten, like Bogart and Catherine Hepburn and so forth. Others like Bertolt Brecht, a playwright, eventually moved to East Germany. So some of these people were actually into Sovietism, right?

CIA and FBI provided right wing television producer Vincent Hardin information about all the left wing figures in Hollywood. But again, part of this was really to just hype up the notion of a Cold War and the threat from the communists. Because Humphrey Bogart and Kevin Hepburn, they had star power and influence, they weren’t literally turning the country into a Marxist hellhole. People like David Rockefeller had a lot more power to turn the country into a socialist hellhole.

Then we enter figures like Howard Hughes who come onto the scene, excuse me, Howard Hughes, who come onto the scene. Excuse me, I mean, Howard Hughes is already on the scene, but I’m saying that he comes into the picture because he gets involved in the Cold War as well, and wants any future profits for any future Soviet wars. According to Saunders, in her 2000 book, Who Paid the Piper, Wisner recruited several important figures for Operation Mockingbird in Hollywood. This included OSS filmmaker, John Ford, studio bosses Cecil B. DeMille of Paramount and Daryl Zanuck of 20th Century Fox. This is where we begin to get the Hollywood studios recruited into this operation. Even Howard Hughes, boss of RKO Pictures, according to Charles Hyam, was involved in this because Hughes was interested in the anti-communist crusade so that he could have airline profits from Korean and future Soviet wars. So it wasn’t really about Americanism and winning against the Russians or something like that. But that’s important to understand that this is now the recruitment of Hollywood figures. And if you saw the recent Guy Ritchie film that was a pretty decent, there’s an action spy comedy called Operation Fortune. In that Jason Statham, Aubrey Plaza movie, you’ll notice that they recruit an actor, right? Josh Hartnett plays a famous actor who’s blackmailed. So they go to this actor and they say, hey, we know about you and your mistress. You’re gonna come work for us in this intelligence operation run by British intelligence, which is a guess, again, about AI. So it turns out that just like in the Mission Impossible film, there’s an AI that’s gonna be set loose that will basically cause the world’s financial markets through a cyber attack to collapse. And so British intelligence saves us from the cyber attack, sure. Yeah, right, no, they would be the actual ones running the cyber attack, not saving us, problem reaction solution. But that movie echoes in a lot of ways, this new Guy Ritchie movie, what we’re talking about here. Going to these figures like Howard Hughes, Cecil B DeMille and saying, hey, we want you to start helping us out with the Cold War. Aren’t you a patriot? Do you want the commies to win? No, you’re gonna work for us now. Now, why does all this matter for today? Because it’s no different than now. What happens now with the propaganda that’s churned out, say in the last 20 years from Hollywood, or from the blue check mark army of controlled, co-opted fake journalists, is the exact same as the model what they did back then. The only difference is that now it’s online. Then it was print media and Hollywood. Now it’s online with Twitter files and colluding with as the Biden administration just admitted, yeah, we asked Facebook to censor anything we didn’t like. And they did, right? So same in the coup.

The Office of Strategic Services, at as its chief deputy of psychological warfare, C.D. Jackson in 1943. C.D. Jackson was also head of the supreme headquarters of Allied Expeditionary Force, and then he went to work for Henry Luce, Skull and Bones at Time Magazine. And this gets into Eisenhower, and when Eisenhower starts to learn about this, this is where we get the famous military industrial complex speech. He’s talking about this stuff. This is the show, Don’t Go Anywhere. I’m your guest host, Jay Dyer. Welcome back to the show. I’m your guest host, Jay Dyer. Jay’s analysis in the fourth hour, covering Operation Mockingbird and how it’s really the architecture and model for the regime’s total control and censorship across media, not just in the old print legacy media or the old TV network media in Hollywood, but now also the model for NewsGuard and how they censor everything online and the collusion between the regime and Facebook for the last several years. And the excuses of Donald Trump and Russia collusion and Pgate and the bot farms, all of which has been shown and admitted now to be completely made up, completely deceptive.

And as I said, some of the British intelligence operatives who were involved in the crafting of the Pgate narrative, they’re actually openly Fabian socialist figures. As we said, this figure, C.D. Jackson is important because as the managing director of Time Life International, working for C.D. Jackson and one of the largest publishing empires at that time, it really just became a complete mouthpiece of the CIA. And remember, C.D. Jackson is also the architect of the CIA’s doctrinal warfare program, which is intent on co-opting all of the churches for the Cold War in order to make them the mouthpiece of Americanism.

Now again, you might think, yeah, but that was justified because we had the communist threat. Yeah, but now that explains why the Vatican and all these other entities are controlled religious institutions, now echoing the World Economic Forum talking points, because they took on masters at this time. You understand? And it’s no different with the media. The media echoes the same mouthpiece disinformation talking points points because they’re owned by these people. Same structure still in place, just transferred over to big tech. In fact, according to the Eisenhower Presidential Library, C.D. Jackson’s area of responsibility was defined as international affairs, Cold War planning, and psychological warfare. Jackson was a key figure in Operation Mockingbird, and this was revealed after his death. In 1971, his wife gave her husband’s papers to the Eisenhower Library. It was then made clear that he was in contact with CIA operatives at various Hollywood studios. It’s speculated in various books as to who those CIA operatives might be at MGM, RKO, and other studios in order to ensure that the scripts, screenplays, and Hollywood films were put out in line with the establishment’s narrative at that time.

Again, it doesn’t mean that communism is good any more than I think that the regime’s narrative of radical Islam, even though that was a PSYOP through the 90s and into the 2000s, right, that was utilizing Islam at that time for the war on terror as part of the PSYOP to pick an enemy, exaggerate that enemy, and then use that enemy as the regime’s excuse to do whatever censorship, whatever they want to do. Think about the Smith-Mundt Act. The Smith-Mundt Act went away right before all of the Pegate stuff. Now, the regime has done propaganda to the American people, like we’re saying here, all the way back to the beginning of the big newspapers and the big networks, right? But after the Smith-Mundt Act, I think in 2013 going away, now it just became legal to do, right? So they just removed one of the roadblocks, it makes it even easier to do now.

And I don’t think it’s accidental that after that you get to stay behind units of the Obama, Biden regime, basically running all these operations against Trump, and then you get the stay behind units of the Obama, Biden regime, basically running all these operations against Trump. That’s where we get the integrity leaks, that’s where we get this establishment narrative concocted that Trump was a Russian agent, it’s the same people. These are the same people, I’m saying running the same strategies of the war on terror, OBL stuff, and the Cold War stuff. So my critique of this establishment’s approach is that they’re trying to get the same people, I’m saying running the same strategies of the war on terror, OBL stuff, and the Cold War stuff. So my critique of this establishment’s approach does not mean that communism is good or Soviets were good, any more than it means that I’m saying that Osama bin Laden and the Salafis and the Wahhabis and radical Islam are good. I can disagree with both positions, you see.

And all I’m trying to illustrate to you guys in the audience is that in order to understand how we got to where we are today, we go back to the canceling of the Cold War. People getting canceled back then. Wiesner’s OPC arranged for Joe Brian to recruit anti-communist filmmaker Louis de Rochemont to produce a movie in Britain that was disguised to keep it hidden as a CIA project. In fact, they created a shell corporation at that time called Touchstone. This is different than the Disney Touchstone pictures from the 80s. And E. Howard Hunt, the basis for Tom Cruise’s character in Mission Impossible, Ethan Hunt, was one of the key agents involved in the production of the film Animal Farm. His role was to remove the socialist elements in Orwell’s allegory. So even Orwell’s allegory wasn’t enough because Orwell was talking about not Stalinism per se, but Fabian socialism. Now in 1984, you could argue that he’s talking about the danger of Stalinism and Ingsoc or English socialism. But Animal Farm was still not conservative enough, and so they even wanted to edit that.

And again, I’m not pro-Soviet, I’m just pointing-Soviet. I’m just pointing out that you understand that the CIA is now getting directly involved in actual, full-on fake movie companies. Shell Corporation movie companies. Now, do you think that that, they stopped doing that? Or do you think maybe that Zero Dark Thirty and American Sniper and these other films coming out, maybe those are the same types of things, do you understand then how it’s a control mechanism? That’s what I’m trying to get across to you. In fact, the CIA did not like certain scenes in the movie and in the story of Animal Farm where the pigs and dogs face a liberation style uprising of the other animals, so they wanted to even alter the existing story and script. In fact, the CIA then told the other studios that they would like to see more democracy pushed in Hollywood and in films. Because the Soviets might try to capitalize on a lack of democracy in films. In fact, Graham Greene, who published the 1955 novel The Quiet American, wrote the novel as a critique of the American approach to the Vietnam War. In that novel, an aid worker, goes under the cover of aid worker, is really a spy, employed by the CIA, and that character is based on the real world PSYOP CIA a spy employed by the CIA. And that character is based on the real world CIOPS CIA figure of Edward Lansdale.

Graham Green then worked for the British intelligence at that time and wrote this novel as a critique. And then ironically, the novel, which was a critique, was turned into a pro-American story that recruited Audie Murphy to play the key role of the Edward Lansdale character. So what was originally a critique of American foreign policy actually became a propaganda film when they cast Audie Murphy as Alden Pyle in Graham Greene’s story. Now again, I’m not saying that that makes communism good. I’m just giving you examples of how the intelligence agency’s collusion with Hollywood and the big studios during the Cold War is allows the regime and the power structure to be entrenched in these relationships that continue into today. In fact, there’s whole movies made about this. Wag the Dog is a movie made about this, where we have the establishment really telling directors and people what to do at times. You watch that movie, you’ll notice that the Robert De Niro character is doing that very thing. Eisenhower then became concerned about a lot of these activities, including the CIA’s covert activities. Now, does that mean that because Eisenhower begins to be concerned that he’s now a commie? Is everybody who’s concerned about this suddenly pro-commie? Is everybody who’s concerned about this suddenly pro-commie? No, if that was the case, then we would begin to think that McCarthy is a commie, because McCarthy’s concerned about the CIA’s relationship to communism. And perhaps a lot of these people are actually socialists on the down low. because guess what, they weren’t, that’s the point. They’re not Soviets, they’re Fabians, they’re socialists, they weren’t. That’s the point. They’re not Soviets. They’re Fabians. They’re socialists. They’re pro-socialists. Eisenhower was worried about this and so he appointed in 1956, David Bruce as a member of the Foreign Intelligence Advisory Consultant Board. Eisenhower asked him to do a report on the CIA. What are these covert actions really up to? A lot of these things don’t align with our supposed stance in the Cold War. They seem to be more and more left and socialist. What’s going on here? Turns out the appointee, the Bruce guy, was actually very critical of Operation Mockingbird. He says, why are we controlling other countries’ newspapers, buying them off, pushing things that are not always American or actually right wing.

So it turns out, yeah, that this giant media empire, and this gets into then the character of Hal Hendricks, who via the CIA leaks the story that it’s Lee Harvey Oswald behind the JFK assassination. Of course, nobody really knew that yet, but the story is planted by this figure. And that’s very reminiscent, very similar to the story that’s planted about Donald Trump, right? They plant these stories, he’s a Russian agent, PGA, collusion. They plant the story of Osama bin Laden before anybody knew anything, we know that Osama bin Laden did 9-11 right away. Exact same model of the story of Osama bin Laden before anybody knew anything. We know that Osama bin Laden did 9-11 right away. Exact same model of the stories being planted. And that’s how Operation Mockingbird worked. Now if Mockingbird worked then and Mockingbird worked for the planting of Osama bin Laden’s story, guess what? Mockingbird works today for the planting of the P-Gate story and the DNC hack and all the other fake stories that Operation Mockingbird 2.0 has run. the DNC hack and all the other fake stories that Operation Mockingbird 2.0 has run.

Luke Goodwin

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